RonKat Spearman

RonKat Spearman is a prolific songwriter and Multi-Platinum Artist, Producer, Composer, Grammy and BMI songwriter recipient. Writing for Lenny Kravitz, JADE, Toni Braxton, El Debarge, George Clinton, Prince, Kayne West, Bootsy Collins, Shock G, Dj Quik, Rick James, Eryka Badu, Martika, The Mary Jane Girls, Darius McCrary, Tisha Campbell, and many others.

RonKat is a multi-instrumentalist, playing and recording Guitar, Bass, Keyboards, Percussion, Drums, Harmonica, Lead and Backup Vocals.

He met and wrote with George Clinton and then joined Parliament Funkadelic in 2000. He toured the world playing guitar, bass and vocals for P Funk for ten years. During that time he also moved to San Francisco where he formed a side project KATDELIC. In 2010 he left P Funk with George’s blessing and has been touring nationally and recording with KATDELIC ever since.
KATDELIC, Was Voted two time winner Best of the Bay 2017 & 2019

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Unique In house Design Headpiece

  • Uses miniature headstock 

          • Works with standard wall mounts and head-stock stands

          • Cool with clip on tuners

          • Keeps good hand feel at nut

  • Works with any standard strings (single ball end)

          • String locked down over a large area, so string breakage reduced compared to using set screw’s

          • Fast! re-stringing

          • Strings don’t need a pre-bend with a tool

  • Uses standard nuts

          • String to string variations in string height at the nut are possible

          • So intonation correcting nuts are possible

    • Made from 6061T6 hard anodized aluminum

          • Not zinc pot metal

Headless

  • Works better

        • Shortens and overall lightens guitar (5” shorter! 75 gm less)

        • Better balance

        • Headless have less problems from unwanted dead notes and wolf tones on neck from vibrating headstock masses

        • Better pitch to midi conversion, in midi applications

        • Tuners at the other end (same as a locked down Floyd Rose)

              • For better overall balance

              • Pic hand tuning

          •  Less unsung string; like string-locks with no head

              • Holds tune better, less to detune after large bends

              •  Removes need for dampeners for sympathetic singing

              • More responsive bending, earlier pitch change during bend 

• Fender S-type neck heel shape

    • Largest number of options available with a popular aftermarket neck;

        • 21, 22, 24 frets, 22 standard

        • Most diverse back contours, woods, etc. available

        • Most finger board radi options, compound 10-16” standard

        • Most scale lengths available; 24 ¾” (Gbsn like), 25 ½” (Strt type),  28 5/8” Baritone

      • Threaded inserts installed for bolts

        • Just say no to wood screws…poor hold and reuse

        • Better neck/body connection

Full Scale Lengths, 4! ...

  • 24.75″ Gibson

  • 25″ PRS, National

  • 25.5″ Fender, Ibanez, Jackson, Schecter, Steinberger, standard

  • 28.6″ Baritone, Agile

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